# Richard Wagners Opern
> Alle dreizehn vollendeten Bühnenwerke mit Links zu den digitalen Opernwelten.

- [Die Feen](https://wagnerwelten.de/opern/die-feen), WWV 32, 1833–34, Premiere: 1888 · Munich. The first completed world. A mortal crosses into a fairy realm where love is tested by a prohibition, a disappearance and the power of song.
- [Das Liebesverbot](https://wagnerwelten.de/opern/das-liebesverbot), WWV 38, 1834–36, Premiere: 1836 · Magdeburg. Desire against prohibition. A city tries to outlaw pleasure. Carnival, hypocrisy and sensual freedom turn authority into farce.
- [Rienzi](https://wagnerwelten.de/opern/rienzi), WWV 49, 1837–40, Premiere: 1842 · Dresden. The crowd makes a hero. A tribune rises through public hope and falls when spectacle, faith and political power become indistinguishable.
- [Der fliegende Holländer](https://wagnerwelten.de/opern/der-fliegende-hollaender), WWV 63, 1840–41, Premiere: 1843 · Dresden. A life without arrival. An endless voyage may be broken by fidelity, but the promise of redemption carries its own violence.
- [Tannhäuser](https://wagnerwelten.de/opern/tannhaeuser), WWV 70, 1842–45, Premiere: 1845 · Dresden. Desire and judgment. Sacred and sensual worlds collide, neither strong enough to contain the whole human being.
- [Lohengrin](https://wagnerwelten.de/opern/lohengrin), WWV 75, 1845–48, Premiere: 1850 · Weimar. The forbidden question. Trust is demanded without knowledge. The miracle collapses the moment mystery is named.
- [Das Rheingold](https://wagnerwelten.de/opern/das-rheingold), WWV 86A, 1853–54, Premiere: 1869 · Munich. The theft that makes a world. Gold becomes a ring, the ring becomes law, and the first bargain already contains the catastrophe to come.
- [Die Walküre](https://wagnerwelten.de/opern/die-walkuere), WWV 86B, 1854–56, Premiere: 1870 · Munich. Love breaks the law. Human tenderness proves more truthful than divine command, and punishment becomes an act of impossible care.
- [Tristan und Isolde](https://wagnerwelten.de/opern/tristan-und-isolde), WWV 90, 1857–59, Premiere: 1865 · Munich. Night without end. Harmony becomes longing itself, always moving toward a resolution that life cannot provide.
- [Die Meistersinger von Nürnberg](https://wagnerwelten.de/opern/die-meistersinger-von-nuernberg), WWV 96, 1862–67, Premiere: 1868 · Munich. Tradition made alive. An art form survives not by freezing its rules, but by allowing a new voice to transform them.
- [Siegfried](https://wagnerwelten.de/opern/siegfried), WWV 86C, 1856–71, Premiere: 1876 · Bayreuth. A hero without memory. Fearless because he has inherited no caution, Siegfried crosses the ruins of the old order and awakens what it tried to contain.
- [Götterdämmerung](https://wagnerwelten.de/opern/goetterdaemmerung), WWV 86D, 1869–74, Premiere: 1876 · Bayreuth. The order burns. Betrayal closes the circle. Gods, heroes and contracts vanish before the ring can return to the river.
- [Parsifal](https://wagnerwelten.de/opern/parsifal), WWV 111, 1877–82, Premiere: 1882 · Bayreuth. Compassion as knowledge. A final stage ritual where suffering can only be understood by being felt, and time itself appears to become space.